Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Ludwig Hans Fischer
An Arab Caravan at Dusk.

ID: 61823

Ludwig Hans Fischer An Arab Caravan at Dusk.
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Ludwig Hans Fischer An Arab Caravan at Dusk.


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Ludwig Hans Fischer

Austrian , 1848 - 1915 )   Related Paintings of Ludwig Hans Fischer :. | morgonbris | A forest meadow | Waterfall with a Half-timbered House and Castle | Selbstportrat mit Malstock | Orpheus |
Related Artists:
William Hamilton
English Painter, 1751-1801, was an English painter and illustrator. Hamiliton was born in Chelsea, London, but travelled and worked in Italy with Antonio Zucchi for several years. He trained first as an architectural draftsman, but soon moved to theatrical portraits and scenes from plays. Hamilton became very well known for his paintings depicting episodes from the plays of Shakespeare and for his illustrations of poems. He was commissioned to create works for John Boydell's Shakespeare Gallery, Macklin's Bible and Bowyer's English History. These were widely reproduced in popular prints. Francesco Bartolozzi engraved a number of Hamilton??s best known works. He also painted modern events, such as the execution of Marie Antoinette, in the manner of epic historical drama. Hamilton's style shows the influence of the cult of sentiment typical of the period, resembling the work of Angelica Kauffmann. He also sometimes adopts aspects of Fuseli's dramatic distortions in composition and figure drawing. He became an associate member of the Royal Academy from 1784, and was made a full member in 1789.
Angiolo Tommasi
painted On the river Arno in 1883-1885
DOMENICO DI BARTOLO
Italian Early Renaissance Painter, 1400-ca.1447 was an Italian painter of the Sienese School. He was born in Asciano. According to Vasari, he was a nephew of Taddeo di Bartolo. He was employed by Vecchietta in the masterpiece fresco The Care of the Sick in the Pellegrinaio (Pilgrim's Hall) of the Ospedale di Santa Maria della Scala in Siena[1]. It portrays wealthy donors visiting the hospital to men washing the ill, and a fatty friar hearing confession. In 1434,






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